An attractive glass-fronted brass reliquary frame with a first-class relic of Saint Therese de Lisieux. The relics comprised of three short strands of hair are housed in an oval cavity under a photographic portrait of the saint. They are affixed to the ground of silk and identified in Latin on a typeset cedula label as Ex Capillis // St. Theresiae a Jesu Infante (of the hair of St. Therese of Child Jesus). On the back, under a protective cap, the reliquary is secured by a seal of red Spanish wax with an imprint of the coat of arms of the Discalced Carmelite Order. The reliquary come with an original undated and unsigned letter of testimony in the French language stating the following:

"Relic of the Most Holy Therese of the Child Jesus, offered by the Carmel of Metz to Monsignor Heintz, Bishop of Metz. It was venerated in the private chapel of Monsignor Heintz until his return to God in November 1958. Then it was offered to me in June 1962 by Monsignor Schmitt, his successor."

Fr. Joseph-Jean Heintz († 30 Nov 1958) was a Bishop of Metz between 1938 and 1958.

Extremely rare round glass-fronted metal reliquary theca housing the first-class Ex Corpore (of the body) pre-canonization relics of Blessed Carlo Acutis. The relics are affixed to a ground of red silk and identified in Latin on a bi-color typeset cedula label as Ex Corpore Caroli Acutis (Of the body of Carlo Acutis).  On the back, under a protective cap with an engraved seal of the Postulator General for the Cause of the Beatification of Carlo Acutis, the theca is secured with a seal of red Spanish wax bearing an imprint of the same Postulator. The reliquary is housed in its original case of issue with a seal of the Postulator General for the cause of Carlo Acutis' canonization. The relic is accompanied by the original matching authentics document issued and sealed by the order of the Postulator General on October 10,  2020 - the very day of his beatification. Please note that, due to its scarcity, this item is not subject to any discounts.

An attractove small glass-fronted reliquary frame of black lacquered wood housing a relic of the Nativity Manger of Jesus Child and surrounded by relics of eight Christian Saints: St. Martin of Tours, St. Francis de Sales, St. Francis of Assisi, St. Therese de Lisieux, (a pre-canonization relic of) St. Margaret Mary Alacoque, St. Germaine Cousin, St. Lucia of Syracuse Martyr, and St. John of the Cross. The relics are affixed to the ground of black velvet, surrounded by intricate gilt paperolle ornamentation and identified in French on typeset cedulae labels. The Nativity Manger of Jesus is identified as Crhe de N. S. (Crèche de la Nativité du Sauveur). On the back, the reliquary is secured by four seals of red Spanish wax with an imprint of a coat of arms of an unidentified Roman Catholic Archbishop. 

The finely painted icon depicts the Guardian Angel and St. Boniface of Tarsus under the image of Our Lady of Pokrov. 

The Protection (Pokrov) of the Most Holy Mother of God is one of the most beloved Feast days on the Orthodox calendar commemorated on October 1 celebrating the appearance of the Virgin Mary in Constantinople in the 10th century at the time when the people in the city were threatened by the Barbarian invasion. Saint Andrew, the Holy Fool with his disciple Saint Epiphanius, and a group of people, saw the Mother of God, Saint John the Baptist, and several other Saints and Angels during a vigil in the Church of Blachernae, nearby the city gates. The Mother of God approached the center of the church, knelt down and remained in prayer for a long time with her face drowned in tears. Then she took her veil off and spread it over the people as a sign of protection. After the appearance of the Mother of God, the danger was averted and the city was spared from bloodshed and suffering.  On the icon, the Theotokos is depicted standing on a cloud in an aureola of green light with a city walls behind her holding her veil surrounded by apostles, saints, and two angels behind her. Below are Saint Romanos the Melodist, Saint Epiphanius and Saint Andrew the Fool.  

In Orthodoxy, a Guardian Angel is a type of angel that is assigned at birth to protect and guide a particular person. Each human has a guardian angel who stands before the face of the Lord. This guardian angel is not only a friend and a protector, who preserves from evil and who sends good thought; the image of God is reflected in the creature—angels and men—in such a way that angels are celestial prototypes of men. Guardian angels are especially our spiritual kin. Scripture testified that the guardianship and direction of the elements, of places, of peoples, of societies, are confined to the guardian angels of the cosmos, whose very substance adds something of harmony to the elements they watch over.

Saint Boniface, the Martyr of Tarsus was a Christian martyr who was executed in the year 307 at Tarsus, where he had gone from Rome in order to bring back holy relics of the martyrs requested by his mistress Aglaida. Finding upon arrival at Tarsus that the authorities were torturing Christians, he openly declared himself to be a Christian. His own body constituted the relics that were brought back to Aglaida, who in turn also became a Christian. The Orthodox Church celebrates both of them on 19 December as the "Martyr Boniface at Tarsus in Cilicia and Righteous Aglaida of Rome".

Small round white-metal glass-fronted reliquary theca housing the first-class ex ossibus (of the bone) pre-canonization relic of the Saint Rafqa Pietra Chobok, O.L.M.The relic is affixed to a red silk ground identified in Latin on a typeset cedula label as S. B. Rafqa (Blessed Rafqa).  On the back, under a protective cap, the theca is secured with a seal of red Spanish wax bearing an imprint of a coat of arms of the Maronite Order. The relic is accompanied by the original matching authentics document issued and sealed by the Postulator General of the Order responsible for the cause of the Canonization.

In Orthodox tradition, newlyweds are presented by their family with two matching icons - one of Christ and the other of the Theotokos to remind them of the commitment they made before God and serve as the spiritual center of family prayer. The icons depict Our Lady of Kazan and Christ Pantocrator and are housed in an original glass-fronted frame of carved wood. 

Saint Paraskevi of Iconium (also known as Paraskeva Pyatnitsa) is venerated as a Christian virgin martyr. Her parents were Christian, and Paraskevi was named as such (the name means “Friday” in Greek) because she was baptized on a Friday and because Friday was the day of Christ's Passion. She became a preacher, and according to tradition, converted Emperor Antoninus Pius to Christianity, but, subsequently martyred at Iconium during the persecutions of Diocletian. Saint Paraskevi-Pyatnitsa developed a personality and functions of her own on Russian soil. She is traditionally depicted as an ascetic figure wearing the red of martyrdom. She holds an Eastern cross in one hand and a scroll professing her faith in another. In Russia, Paraskeva-Pyatnitsa is the patroness of traders and fairs, and of the Holy Matrimony.

The icon depicts Christ's Anastasis (Resurrection) surrounded by twelve Major Orthodox Feasts: 1. Nativity of the Most Holy Mother of God 2. Presentation of the Theotokos at the Temple 3. The Annunciation 4. Nativity of Christ/Christmas 5. Baptism of Christ - Theophany, also called Epiphany 6. The Transfiguration of Christ 7. Exaltation of the Holy Cross 8. The Dormition of the Most Holy Mother of God 9. The Old Testament Trinity 10. The Ascension of Christ 11. Christ's Entry into Jerusalem 12. Presentation of Jesus at the Temple 

Known as Synaxaria (monthly), twelve monthly panels of the Calendar icons are exhibited in the Orthodox church one at a time on a special lectern called the analogion and depict images of saints arranged chronologically according to their feast days in alteration with the movable liturgical feasts as they distributed in the Orthodox calendar for one specific month. 

Although, most saints are represented standing, martyrs are usually depicted at the moment of their martyrdom. The images are arranged in four rows, each row signifying a calendar week of a month with portraits of saints venerated during this week. The layout and color scheme of this “calendar of sainthood” play a role in their legibility and practical use.