The icon with realistcally rendered image of the Savior is covered by a silver revetment cover with a polychrome enamel halo and is housed in its original glass-fronted wooden kit shadow frame. The cover is hallmarked with a Moscow assay mark dated 1894, "84" silver purity (875/1000), and "КЗ" maker's mark.

Finely painted icon depicting Christ Pantocrator covered by gilt silver revetment cover with polychrome enamel halo and details. The cover was made around 1880s by a Moscow silversmith Ivan Alexeev. Retains partially preserved original silk back covering. Preserved in a very good original condition.  Christ Pantocrator is one of the most common subjects in Russian iconography, and its iconography follows a traditional pattern. In these icons, Christ is depicted as a powerful and majestic figure, with his right hand raised in blessing and his left hand holding an open book of the Gospels. The term "Pantocrator" means "Almighty" or "Ruler of All," and … More

A large church icon depicting the crucified Christ flanked by the Virgin Mary, St. John the Apostle, St. Mary Magdalene, and St. Longinus the Centurion. In the corners are depicted the Sun and the Moon, behind the Cross are the walls of Jerusalem, and below is the Adam's head. The enameled plaque, just above Christ’s head, reads "The Crucifixion of Our Lord." The abbreviated inscriptions around Christ's head read: "Jesus Christ, King of Glory and Son of God." The heavy parcel-silvered brass revetment cover and the halos are decorated with intricate polychrome enamel. The icon dates to the 18th century … More

Spectacular Russian Orthodox icon depicting the Severed Head of St. John the Baptist resting on a platter. An 18th-century central panel was embellished in 1803 by adding borders depicting parents of St. John the Baptist - St. Zechariah and St. Elisabeth and by covering the icon in an elaborate gilt silver cover with the halo further decorated with glass crystals. The inscription on the bottom part of the icon is the Orthodox hymn sung during liturgy dedicated to the Beheading of St. John. The icon's cover is stamped with a hallmark of a silversmith Yegor Antipiev in Moscow and 1803 date. 

The icon is depicting two highly venerated Orthodox Saints: St. Prophet Elijah and St. Righteous Elizabeth, Mother of St. John the Baptist. The icon is covered by a fine gilt-silver revetment cover with halos and corners embellished by polychrome enamels. The icon is fully hallmarked with ca. 1908-1917 marks for the city of Moscow and maker's mark СГ (SG) for a famous and prolific Moscow silversmith Semyon Galkin.

Large icon depicting the New Testament Trinity of Jesus Christ, God the Father, and the Holy Spirit above. Jesus is pictured on the left seated with a closed book of the Gospels, God the Father as the venerable old white-bearded man on the right, between them the traditional Russian eight-pointed cross. Above them the Holy Spirit appears as a dove in divine light. 

An impressive icon depicting finely painted image of St. Nicholas the Wonderworker and Bishop of Myra flanked by the Virgin Mary and Christ. Borders with four additional saints - the Guardian Angel, St. Savva of Serbia, St. Bucolus, Bishop of Smyrna, and St. Martyr Aquilina. Mounted with silver oklad profusely decorated with chased scrolled foliate. The icon comes in a custom presentation case.

The icon is depicting Christ's Descent Into Hades and Anastasis (Resurrection). Christ is shown in two scenes – above in the act of Resurrection and below in his descent into Hades, breaking down the doors of Hell, binding Satan and rescuing Adam and Eve. Behind them follow the kings, the prophets, and the righteous of the Old Testament, David and Solomon wearing the crowns, John the Baptist with the scroll in hand. Feast day: Easter Sunday. 

Finely executed image of Our Lady of Smolensk. Christ's himation is decorated with intense chrysigraphy. The background is stripped to gesso.  Our Lady of Smolensk is the name of an ancient miracle-working icon and one of the most highly venerated icons in Russia. According to tradition, after the fall of Constantinople, the original icon painted by St. Luke surfaced in Russia, where it was placed in the Assumption Cathedral in Smolensk and therefore referred to as Our Lady of Smolensk. The original icon, dated by art historians to the 11th century, is now believed to have been destroyed by fire … More

An impressive icon depicting finely painted image of St. Nicholas the Wonderworker and Bishop of Myra flanked by the Virgin Mary and Christ. Borders with two additional saints - St. Sergius of Radonezh on the left and and St. Empress Alexandra on the right. Mounted with an opulent gilt silver revetment cover profusely decorated with chased scrolled foliate and an intricate filligree skirt. The cover is hallmarked with Moscow town mark dated 1895.