Spectacular large cruciform reliquary monstrance made of lacquered wood decorated with a silver figure of crucified Christ, silver finials, and plaques depicting Skull over Crossed Bones and the Lamb of God. A removable ornate theca housing particles from the wood from the True Cross of Jesus Christ is placed in the oval cavity at the base of the monstrance. The relics are displayed in a cruciform shape surrounded by paperolle ornamentation and are identified in Latin on a manuscript cedula label as S. Crusis D.N.J.C. (Holy Cross of Our Lord Jesus Christ). On its back, the theca is secured by an undisturbed seal of red Spanish wax with an imprint of a coat of arms of Father Dominique Lacaes, the Abbot of the Trappist monastery of Sainte-Marie du Mont in Godewaersvelde, France (1847–1883). On the back, the base of the monstrance has a hinged-door compartment that reveals the original matching authentics document issued and signed by Abbot Lacaes in 1867.

Finely-cast bronze French Gothic style reliquary cabinet containing three facsimile third-class touch relics of the Holy Nails of Jesus Christ. The nails are certified by the individual seals of red Spanish wax bearing an imprint of the Monastery of the Holy Cross of Jerusalem in Rome. The relics are identified in French on a fancy cedula label as Fac simile des Clous de la Vraie Croix (Facsimile of the Nails of the True Cross).

The reliquary cabinet contains the original matching authentics document stating the following:

We attest to each and every one reading the present document that the enclosed three iron nails fastened with red silk ribbons to the secure seals, were placed near the Sacred Nail, the very sacred relic with which Our Lord Jesus Christ was nailed to the cross, that We, the Cistercians preserved in the inner chapel of the urban Basilica of the Holy Cross in Jerusalem, and the nails were made artistically to be elaborate so that it may seem very similar to the original. This document is issued in Rome in our Monastery of the Holy Cross in Jerusalem on July 2, 1867.

The reliquary is suitable for private and public veneration. 

An attractive French glass-fronted frame of lacquered wood containing a facsimile third-class touch relic of the Holy Nail of Jesus Christ. The relic is certified by a seal of red Spanish wax bearing an imprint of the Monastery of the Holy Cross of Jerusalem in Rome. 

The reliquary frame contains an original matching authentics document stating the following:

We attest to each and every one reading the present document that the enclosed three iron nails fastened with red silk ribbons to the secure seals, were placed near the Sacred Nail, the very sacred relic with which Our Lord Jesus Christ was nailed to the cross, that We, the Cistercians preserved in the inner chapel of the urban Basilica of the Holy Cross in Jerusalem, and the nails were made artistically to be elaborate so that it may seem very similar to the original. This document is issued in Rome in our Monastery of the Holy Cross in Jerusalem on July 2, 1870.

In addition, the reliquary frame contains the following items:

1. A cloth ribbon -  3rd class touch relic of the Column of Flagellation of Christ inscribed MISURA DELLA COLONNA DI CRISTO NRO SIGNORE ALLA QUALE FU FLAGELLATO (A Measure Of The Pillar Of Christ Our Lord At Which He Was Flagellated);
2. A mother-of-pearl pilgrim's cross from the Holy Land;
3. A dried-up branch from an olive tree in the Garden of Gethsemane with a handwritten label Olivier de Terre Sainte (Olive from the Holy Land);
4. An engraving with a depiction of the relic of the Titlo from the Cross of Jesus housed in the Basilica of the Holy Cross in Jerusalem in Rome;
5. An envelope with a pebble relic from the Sepulcher of Christ;
6. Two envelopes with a pebble relic from the Column of Flagellation of Christ;
7. An envelope with a pebble relic from the Grotto of Gethsemane.

The reliquary is suitable for private and public veneration. 

A large cruciform reliquary monstrance of lacquered wood decorated with a silver bronze figure of crucified Christ. A removable silver theca housing particles from the wood from the True Cross of Jesus Christ is placed in the round cavity at the base of the monstrance. The substantial relics are displayed in a cruciform shape surrounded by gilt paper ornamentation and are identified in French on a manuscript cedula label as Bois de la Vraie Croix (Wood from the True Cross). On its back, the theca is secured by an undisturbed seal of red Spanish wax with an imprint of a coat of arms of an unidentified Roman Catholic Archbishop.

19th-century French large cruciform  reliquary monstrance made of  wood decorated with solid silver caps and center detail and housing a theca with particles from the wood from the True Cross of Jesus Christ. The substantial relics are displayed in a  crystal-fronted silver theca placed in the center of the reliquary. On its back, the theca is secured by an undisturbed seal of red Spanish wax with an imprint of a coat of arms of an unidentified Roman Catholic Cardinal. The base of the monstrance has a hallmarked solid-silver plaque with the following inscription in French:

"The oak from which this cross is made is contemporary with the birth of Christianity, it was found near Sombernon, a few years ago in a Roman aqueduct whose construction dates back to the conquest of Gaul, it owes its black color to its long stay underground. [dated] 1851."

Large French cruciform reliquary monstrance made of lacquered wood with a solid silver center cavity's framing housing a theca with particles from the wood from the True Cross of Jesus Christ. The relics are displayed inside of a double-crystal theca placed in the center of the reliquary and identified in Latin on a manuscript cedula label as Verae Crvsis (The True Cross). On its back, the cross is secured by an undisturbed seal of red Spanish wax with an imprint of a coat of arms of an unidentified Roman Catholic Cardinal. On the back, the base of the monstrance has a hidden compartment that reveals the original matching authentics documents issued by Cardinal Basilio Pompili (†1931), the Vicar General of Rome (1913–1931).

Элегантный реликварий - монстранций XVIII века в стиле барокко из побеленного и позолоченного дерева содержит две важные реликвии Страстей Христовых: Частицу Истинного Креста и Частицу Святой Плащаницы. Реликвии помещены в углубление, закрытое стеклом, в центре монстранция. Этикетка гласит - "От Истинного Креста Господа Нашего и от Плащаницы Господа Нашего". Центральное углубление опечатано четырьмя печатями красного воска с прекрасно сохранившимися оттисками печати католического епископа.

19th-century French cruciform  reliquary monstrance made of ebony wood decorated with hallmarked solid silver fleur-de-lis finials and housing a theca with particles from the wood from the True Cross of Jesus Christ. The relics are displayed in a  glass-fronted removable theca placed in the center of the reliquary and surrounded by a cruciform micromosaic depicting the Instruments of Passion (Arma Christi). The theca is secured by an undisturbed seal of red Spanish wax with an imprint of a coat of arms of the Order of Friars Minor.

Искусно сделанный монстранций XVIII века в стиле барокко, из позолоченного дерева со скрещенными Орудиями Страстей Христовых, увенчаный прихотливо вырезанныйм балдахином. Реликварий вмещает серебрянную овальную теку с застекленным фронтальным окошком, в которую помещены Реликвии Страстей Христовых: Частицы Истинного Креста Господня. Реликвии расположены в форме креста на подложке из красного шелка и окружены украшениями из сплетенной серебрянной проволки. Этикетка гласит - "От Древа Истинного Креста Господа Нашего Иисуса Христа". С обратной стороны теки - прекрасно сохранившаяся печать красного воска Франческо Гаетано Инконтри (+1781), Архиепископа Флоренции (1741-1781).

Небольшой барочный реликварий монстранс, изготовленный из посеребряного дерева. вмещающий внутри застекленного отсека важную реликвию Страстей Христовых - Частицу от Титла Истинного Животворящего Креста. Драгоценная реликвия крепится к основанию красного шелка, декорированого золоченным узором, и идентифицирована на прилагаемой этикетке. С обратной стороны реликвия опечатана с помощью перекрещивающихся серебряных шнуров, удерживаемых четырьмя прекрасно сохранившимися печатями с оттиском герба отца Антонио Мартини (+1809), Архиепископа Флоренции (1781-1809). 

Oval glass-fronted  silvered brass pendant reliquary theca housing five relics of the Instruments of Passion of Jesus Christ. Relics are affixed to the red silk ground surrounded by silver wire and gilt paperolle ornamentation and identified in Latin on manuscript cedulae labels as Ex Col. Flagell. / Ex Fune / Ex Spongia / Ex Sepulcro / Ex Arundine / D.N.J.C. (Of the Column of Flaggellation / of the Holy Rope / of the Holy Sponge / of the Holy Tomb / of the Holy Cane / of Our Lord Jesus Christ). On the back, under a protective cap, the theca is secured with a perfectly preserved seal of red Spanish wax bearing an imprint of a coat of arms of Monsignor Giulio Maria della Somaglia (†1830), Cardinal-Priest of Santa Sabina (mother church of the Dominican order), Papal Vicar General (1795-1818), and Prefect of the Congregation of Sacred Rites. The theca is accompanied by an original matching authentics documents issued and signed by Monsignor Giulio Maria della Somaglia in 1818. 

Attractive multiple relic reliquary, centered on the Holy Sepulchre and the Manger of Our Lord. Mounted against a red silk background, ornamented with gold and silver devices, and housed in a sealed, cast bronze reliquary theca further decorated with an inner ring of silver braid.

Incredibly rare touch relic made from the silver object that touched the most powerful and mysterious Passion relic - The Holy Spear of Jesus also known as the True Lance. The reliquary is affixed to the original  authentics document dated 1757 and issued and hand-signed by Fr. Nicola Manciforte (†1762), Bishop of Ancona. 

The document written in Latin translates as:

"...that this silver tip of a Lance, tied to this [letter] with a ribbon of red color, and secured with a small Seal of ours impressed in Spanish Wax, touched the Very Sacred Point of the Lance with which the Side of the Savior was pierced while he was hanging on the Cross; that it exists amongst the rest of the quite famous Relics, by the possession of which our Church was distinguished as the Cathedral of St. Cyriacus; and that it rouses and fosters the piety of the Faithful wondrously well, and draws them to itself...."

The Holy Spear is also known as the Holy Lance is the name of the very spear that had pierced Christ’s side when he hanged on the cross. The first person to refer to this as the Holy Spear was pilgrim Antoninus of Piacenza in 570 AD. While describing the holy places of Jerusalem, he said that in the Basilica of Mount Zion, there was the crown of thorns which Our Lord was crowned and the spear which was used to strike Him in the side. It was rediscovered by the European army of the First Crusade in the city of Antioch on June 15th, 1098, but eventually ended up in the treasury of Constantinople. It is documented that the holy relic of the True Lance passed through Ancona (an Italian city on the Adriatic side of the Peninsula), in 1492 on its way from Bayezid II the Turkish Sultan (whose father obtained it in 1451 during the conquest of Constantinople) to Pope Innocent VIII by the hand of Pierre d'Abusson, Grand Master of the Knights of Rhodes. The Pope placed it in the Treasury of the old St. Peter's Basilica in Rome with the volto santo, where it is held in great veneration. It is now in one of the great piers of the present St. Peter's Cathedral and in front of it, over the image of Longinus is inscribed "The Spear of Longinus, which Innocent VIII, the Chief Pointif received from Bayezid Sultan of the Turks; Urban VIII transferred it to a decorated shrine rasing an image and erecting the shrine beneath." (see for more information: Relics from the Crucifixion: Where They Went and How They Got There. By J. Charles Wall.)

Since there are no records of the Cathedral of Ancona retaining a part of the True Lance when it was passing through the town on its way to Rome, it is believed that the offered relic was obtained by melting a larger silver object that touched the tip of the True Lance in 1492. A number of analogous documented reliquaries are known, but their number is extremely small and they are in very high demand because of the impossibility of making new touch relics from the True Lance held in the Vatican after it was transferred to the pier of St. Peter's basilica in the 17th century.

A 19th-century facsimile third-class touch relic of the Holy Nail of Jesus Christ. The relic is certified by a seal of red Spanish wax bearing an imprint of the Monastery of the Holy Cross of Jerusalem in Rome.